As humans, we are often stuck in some form of limbo purgatory. The
time we don’t spend looking towards the future is often compensated with the
desire to stick our heads into the past. We find ourselves dusting off the
old family albums, laughing at the "good
old days" and envying the carefree
act of being young and naïve whilst also wishing it was the Saturday to come.
Now, at a time where it is so easy to store and access images on
the online world, there seems something pure about tucking away old printed
photographs in little plastic wallets. We all love looking back and longing
over the years we can’t reach. But, it’s usually your own family – rather than
a family of strangers – that we tend to reminisce over.
In current times, as it’s so easy to view the lives of celebrities
through the internet, we often believe that we know everything about their
lives. We forget that a still image or short video clip cannot possibly reflect
every 24 hour day in a 7 day week of a 365 day year. But Andrew Birkin, younger
brother of the actress, singer and namesake of the popular Birkin bag Jane
Birkin, has given her love affair with French singer Serge Gainsbourg this
family treatment.
In a book consisting of 160 mostly unseen photographs, Andrew
shares his take on France’s most glamorous couple with his own view down the
camera lens. The nostalgic images spin us back to the ever-so desired swinging
sixties and seventies; each snapshot paired with a short caption to help tell
the story of Jane and Serge’s public and passionate 12 year love affair that
stole the hearts of a generation.
Jane Birkin, although based in France, was born in England in
1946. After a short marriage to composer John Barry, with whom she had her
oldest child Kate, she met Serge Gainsbourg whilst working on a low-budget
French film, Slogan, in Paris. At
first, it was a relationship based on hatred. He was playing the part of her
lover, yet he came across arrogant and Jane believed he despised of her. Just days later, however, he was accompanying her to dinner – at which Andrew (and his
camera) was present.
The pair, along with young Kate, moved south to St Tropez in 1969
in order for Jane to take up a part as an actress in the French film La Piscine. Andrew, his camera strapped
to him at all times, embarked on this trip with them. It is pictures he
captures at times like these that line the pages of this photo album. Images
that show the couple as two, down to earth human beings rather than two of the
biggest stars to walk the streets of France. It really is the optimum of the French
phrase c’est la vie.
1969, also documented in the album, was the year of Je T’aime Moi Non Plus. This famous
duet, recorded by the pair, is a song that was both suggestive and
controversial but at the same time, completely captured people’s attention in the best of ways. By August, the track had been banned by the Vatican, the BBC and even
the Pope as its eroticism and heavy breathing was considered shocking
and inappropriate. This dispute, of course, sent it sailing up the charts where
it earned the number 1 spot in England and the number 2 spot in Ireland.
Another key event in the Gainsbourg-Birkin timeline that Andrew
captured within the walls of the album is the birth of the pairs only child,
Charlotte Gainsbourg. So it was during these pages that three became four – or five if you
wish to count Serge’s Yorkshire Bull Terrier Nana, a present in England from
Jane who lived alongside her, Serge, Kate and Charlotte.
Now, decades on, we can witness the four as they grew as people.
It’s the intimate moments that make this so real: the couple in the back of a
taxi in Cannes, Serge pulling faces as he sits playing piano in their
apartment, Charlotte nursing a small rabbit amongst the grass and Jane and Kate
making the crossing to the Isle of Wight to visit her parents.
As people, we all love reading the words of a good page turner, a
book that will capture our imaginations or act as something we can relate to,
but we often forget photographs can tell just as much of a story as our words
can. It’s the power of Andrew’s album, documenting from their earliest days
until their 1980 split that allows us to act as a frequent presence in their
lives, as if we too are their relatives in a nostalgic attempt to relive a time
that is just out of reach.
Jane and Serge: A Family Album by Andrew Birkin features an
introduction by Jane herself, illustrations by Andrew, 160 unpublished family
photographs as well as an added contact sheet booklet, fold out poster, five
photo prints, a sticker sheet, and an embroidered patch.


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